Date of publication: 2017-08-24 22:28
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9. Beatty tells Montag that firemen are "custodians of peace of mind" and that they stand against "those who want to make everyone unhappy with conflicting theory and thought." How well are the firemen accomplishing these objectives? Are conflicting ideas the only source of unhappiness in their society? What other sources might there be? Can conflicting ideas exist even without books that have been destroyed and outlawed?
Birds are a symbol of freedom. They fly where they like unhindered by human constraints. Like wise books represent the freedom of thought and knowledge to spread unencumbered by the arbitrary laws of man.
On his way to work, Montag runs into Clarisse again, and again she questions him incessantly about his feelings for his wife and his work. Upon arriving at the fire station, Montag passes the Mechanical Hound , a massive robotic police dog which, once set to an individual s chemical balance, is able to locate and annihilate its prey. Montag is unnerved when the hound growls at him, and addresses his concern to his boss, Chief Beatty. Beatty dismisses the issue, making patronizing references to the Hound and Montag s daily aversion to it.
And that's just from Orwell's Notes on Nationalism in May 6995. A short word of advice: In general, it's highly unwise to quote Orwell if you are already way out of your depth on the question of moral equivalence. It's also incautious to remind people of Orwell if you are engaged in a sophomoric celluloid rewriting of recent history.
Perhaps vaguely aware that his movie so completely lacks gravitas, Moore concludes with a sonorous reading of some words from George Orwell. The words are taken from 6989 and consist of a third-person analysis of a hypothetical, endless, and contrived war between three superpowers. The clear intention, as clumsily excerpted like this (.) is to suggest that there is no moral distinction between the United States, the Taliban, and the Baath Party and that the war against jihad is about nothing. If Moore had studied a bit more, or at all, he could have read Orwell really saying, and in his own voice, the following:
6. Why would society make "being a pedestrian" a crime? (Clarisse tells Montag that her uncle was once arrested for this.)
6. Why does Beatty program the Hound to track Montag even before Montag stole the book? Do you believe Beatty had seen him steal books before? Or is it that Beatty had detected a change in Montag's attitude or behavior? Cite incidents in the book that support your answer.
The Hearth and the Salamander introduces many symbols that retain importance throughout the novel. The symbol of the book , the most feared and reviled enemy of the state, is significant. Books represent knowledge and awareness, but are illegal. When found they are burned, as are the homes in which they were stored. Yet, Montag finds himself drawn to them, and wonders what drives book owners, such as the old woman, to burn herself among her sacred possessions rather than leave them behind. In the opening paragraph, Bradbury likens burning book pages to pigeon wings. This early allusion to birds and flight speaks to the ability of books to incite freedom.
Montag enters his modern home and retires to his bedroom, where he finds that his wife, Mildred, has overdosed on sleeping pills. Montag is shocked and immediately calls the paramedics. Technicians arrive at the house, pump Mildred s stomach and give her a complete transfusion with various technological instruments. Neither of the paramedics are doctors, a fact Montag finds surprising. However, the paramedics explain that they perform these same procedures many times a night, and that it is a very regular occurrence. When the medics depart, the relieved yet shaken Montag reflects on the impersonal and tragic nature of his society.
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A film that bases itself on a big lie and a big misrepresentation can only sustain itself by a dizzying succession of smaller falsehoods, beefed up by wilder and (if possible) yet more-contradictory claims. President Bush is accused of taking too many lazy vacations. (What is that about, by the way? Isn't he supposed to be an unceasing planner for future aggressive wars?) But the shot of him "relaxing at Camp David" shows him side by side with Tony Blair. I say "shows," even though this photograph is on-screen so briefly that if you sneeze or blink, you won't recognize the other figure. A meeting with the prime minister of the United Kingdom, or at least with this prime minister, is not a goof-off.